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This digital memory sits somewhere between experience and non-experience; it is also an approximation; it is also a lie. These location records do not show where I was, but an approximation based on the device’s own idea of place, its own way of seeing. They cross-reference me with digital infrastructure, with cell towers and wireless networks, with points created by others in its database. Where I correlate location with physical landmarks, friends and personal experiences, the algorithms latch onto invisible, virtual spaces, and the extant memories of strangers.

(Other aspects of the device’s place-making I enjoy: I love its hunger for new places, the inquisitive sensor blooming in new areas of the city, the way it stripes the streets of Sydney and Udaipur; new to me, new to the machine. It is opening its eyes and looking around, walking the streets beside me with the same surprise.)

booktwo on the location data stored on his iPhone

1 year ago

June 29, 2011
text

Sound not as memory but experience

I love the sound of paint tins in an outside building responding to shifts in temperature. When they get warm, the air inside the tins expands, and then when they cool down again, the air contracts, pulling the metal lids down with a subtle, percussive clunk. I love how it sounds a little bit like a steel drum - sort of musical and metallic. And I love how the sound always comes as a surprise. (Felicity Ford)

from Take a Closer Listen (Rutger Zuydervelt) where people describe their favorite sound

via BLDGBLOG

2 years ago

July 12, 2010