home

roomthily

photo quiteaspectacle:

owen gatley’s autumn/winter catalogue cover for pan macmillan.

quiteaspectacle:

owen gatley’s autumn/winter catalogue cover for pan macmillan.

3 weeks ago

May 7, 2012
reblogged via quiteaspectacle
photo The Three Astronauts, Umberto Eco and ill. Eugenio Carmi - part of a semiotics primer trilogy
via Brain Pickings

The Three Astronauts, Umberto Eco and ill. Eugenio Carmi - part of a semiotics primer trilogy

via Brain Pickings

2 months ago

March 21, 2012
photo Portland (from the text and covers of Ursula K. LeGuin’s The Lathe of Heaven and DVD covers from Dante’s Peak and Volcano
by Matthew Picton

Portland (from the text and covers of Ursula K. LeGuin’s The Lathe of Heaven and DVD covers from Dante’s Peak and Volcano

by Matthew Picton

5 months ago

December 12, 2011
quote
Book jackets these days, for reasons I won’t unpack, seem to revel, overtly, in wit, conceptual deviousness, unusual clever or droll juxtapositions—we, as a professional community, seem to have elevated the visual bon mot above all other virtues. […] Not that wit in itself isn’t valuable, and doesn’t have an appropriate place in design—but wit is not the same thing as insightfulness, and often insightfulness is what is called for in a book jacket. Our fetishizing of cleverness has taken a toll I believe, in that (quite often) these clever solutions work at cross-purposes to the (more often than not sincere) narratives they represent. A book in which an author has gone out on a considerable limb in order to write in a genuine and unaffected fashion does not want a cover that winks at the reader. Wit, when it becomes compulsive (as anyone knows who has a friend who puns too often) quickly becomes its opposite—dullness or predictability. Are we, as a professional community, that punning guy? I hope not.

Peter Mendelsund

In other words, cleverness does not indicate intelligence. The relationship between these two attributes is something that’s become a point of contention when I look at certain things I’ve made in the past.

(via viafrank)

6 months ago

November 9, 2011
reblogged via viafrank
photo robertogreco:

Hand Made Tokyo, by a-small-lab
For more information and photos see the book project page and the Flickr set of the same name.

Pick one spot in the city and begin to think of it as yours. It doesn’t matter where, and it doesn’t matter what. (P. Auster, 2003)

robertogreco:

Hand Made Tokyo, by a-small-lab

For more information and photos see the book project page and the Flickr set of the same name.

Pick one spot in the city and begin to think of it as yours. It doesn’t matter where, and it doesn’t matter what. (P. Auster, 2003)

8 months ago

September 18, 2011
reblogged via robertogreco
video

mythologyofblue:

Dan Collier, Typographic Links, 2007

A hand-sewn, three-dimensional hyperlink structure that guides the reader through the pages of a book (above); detail (right)

From Visual Complexity: Mapping Patterns of Information

(princetonarchitecturalpress)

8 months ago

September 14, 2011
reblogged via namebound
photo Geologic City (Smudge Studio)
In 2010, we set out to create a field guide for New York City residents and visitors who want to sense for themselves the forces of deep time that course through the City and give it form, dynamism and material reality. We began to identify geologic materials that make up iconic pieces of New York architecture and infrastructure, trace them to their origins, and place them on the geologic time scale. But we soon realized that the materials and forces we were encountering were not things. They were lively actors.
via BLDGBLOG

Geologic City (Smudge Studio)

In 2010, we set out to create a field guide for New York City residents and visitors who want to sense for themselves the forces of deep time that course through the City and give it form, dynamism and material reality. We began to identify geologic materials that make up iconic pieces of New York architecture and infrastructure, trace them to their origins, and place them on the geologic time scale. But we soon realized that the materials and forces we were encountering were not things. They were lively actors.

via BLDGBLOG

8 months ago

September 12, 2011
photo junkculture:


MELANIE MCLAIN
READING PATTERN
Melanie Mclain’s Reading Pattern is an on-going project where she keeps track of pages of novels and fiction that she reads daily. All the data is visualized by cutting  squares out of the pages accordingly

via defacedbook

junkculture:


MELANIE MCLAIN

READING PATTERN

Melanie Mclain’s Reading Pattern is an on-going project where she keeps track of pages of novels and fiction that she reads daily. All the data is visualized by cutting squares out of the pages accordingly

via defacedbook

9 months ago

August 19, 2011
reblogged via murketing
photo your house (olafur eliasson) - artist book with a negative impression of his house in copenhagen (454 laser-cut pages)
via . of paper and things .

your house (olafur eliasson) - artist book with a negative impression of his house in copenhagen (454 laser-cut pages)

via . of paper and things .

9 months ago

August 16, 2011
photo shriyashriyashriya:

The Exposed City:  Mapping the Urban Invisibles By Nadia Amoroso 
“There is a vast  amount of information about a city which is invisible to the human eye –  crime levels, transportation patterns, cell phone use and air quality  to name just a few. If a city was able to be defined by these  characteristics, what form would it take? How could it be mapped?
Nadia Amoroso  tackles these questions by taking statistical urban data and exploring  how they could be transformed into innovative new maps. The “unseen”  elements of the city are examined in groundbreaking images throughout  the book, which are complemented by interviews with Winy Maas and James  Corner, comments by Richard Saul Wurman, and sections by the SENSEable  City Lab group and Mark Aubin, co-founder of Google Earth.” via humanscalecities

shriyashriyashriya:

The Exposed City:  Mapping the Urban Invisibles By Nadia Amoroso 

“There is a vast amount of information about a city which is invisible to the human eye – crime levels, transportation patterns, cell phone use and air quality to name just a few. If a city was able to be defined by these characteristics, what form would it take? How could it be mapped?

Nadia Amoroso tackles these questions by taking statistical urban data and exploring how they could be transformed into innovative new maps. The “unseen” elements of the city are examined in groundbreaking images throughout the book, which are complemented by interviews with Winy Maas and James Corner, comments by Richard Saul Wurman, and sections by the SENSEable City Lab group and Mark Aubin, co-founder of Google Earth.” via humanscalecities

(Source: humanscalecities)

9 months ago

August 13, 2011
reblogged via shriyashriyashriya